Jason Being’s new record “Glory” is a must-hear, especially for fans of acoustic music, alternative, and rock n’ roll.
The title track, “Glory,” opens with the warm strum of acoustic guitars, setting a gentle foundation. Gradually, layers of rhythm build as drums and diverse percussion instruments, including shakers and hand percussion, join the mix. Electric guitars infuse the track with a bluesy edge, weaving through the spaces between the lyrics. Adding to the rich texture is a soulful harmonica, bringing an extra dimension to the song. With its timeless feel, “Glory” fits seamlessly into the realm of 70s classic rock. Lyrically, it explores the theme of a love interest. This is a great opening track and introduction to Jason Being’s sound.
“Time Machine” delves into themes of regret and the longing to rewrite the past. Anchored by a warm acoustic guitar, the song’s foundation is steady and heartfelt. Electric guitars gracefully weave through the track, adding depth and filling the spaces between the lyrics. Jason Being’s vocal performance is rich with emotion and soul, conveying a palpable sense of sorrow and wistfulness. The guitar work is tasteful and understated, perfectly complementing the song’s reflective tone. Despite its melancholic themes, “Time Machine” carries a laid-back and peaceful vibe.
“Mine,” also known as “Mine – Temple Cabin Version,” is a rock ‘n’ roll track infused with bluesy undertones. Jason Being delivers a gentle vocal performance that perfectly complements the song’s introspective theme of embracing solitude and cherishing “me time.” The lyrics celebrate the importance of finding strength and character in quiet moments with oneself. The guitar work leans into funk and soul influences, adding a tasteful and dynamic edge to the track. A standout moment comes during the bridge, where a rap-inspired flow introduces themes of meditation and soul-searching, adding depth and modern flair to the song.
Jangly acoustic guitars set the tone for “The Long Goodbye,” a heartfelt track that channels the spirit of 60s folk music. Echoing the styles of Bob Dylan, Van Morrison, and the softer moments in The Rolling Stones’ catalog, the song weaves together feelings of nostalgia and sorrow. Its layers of heartache resonate deeply, reflecting the striking subject matter: coming to terms with the emotional toll of losing a family member to Alzheimer’s Disease.
The next track, “Blood Lost,” leans heavily into classic rock while blending elements of alternative and grunge. Its infectious chorus channels the vibe of 90s grunge icons like Stone Temple Pilots and Velvet Revolver. The song is driven by riff-heavy electric guitars, saturated with distortion and reverb, giving it a raw and powerful edge. Lyrically, it paints a nostalgic picture of growing up in the countryside, capturing the carefree spirit of a group of teenagers so immersed in their adventures that time slips away unnoticed.
“Rivers – Live” is a deeply moving ballad, brimming with soul and heartfelt emotion. Performed live, it carries an extra layer of raw intimacy. Jason Being penned the song as a reflection on his eventual passing, offering a piece of solace for loved ones to hold onto. Anchored by acoustic guitars and a soulful electric keyboard, the track delivers a poignant yet comforting atmosphere. Its memorable melody lingers, inviting listeners to return to it time and time again. He tenderly sings: “You’re going to miss my soul when I leave this body behind, that’s alright, because I’ll be your light.”
“Bleeding – Temple Cabin Version” opens with the rich tones of piano and drums, layered with bluesy guitars enhanced by a shimmering tremolo effect. This track adds depth and texture to the record, both musically and emotionally. Lyrically, it delves into the pain of a relationship unraveling due to unmet needs. He sings: “I’m done bleeding in silence, all I do is wait. I’m done seething in violence, all I do is wait.” Jason Being reveals a different facet of his vocal talent, reaching for resonant low notes that highlight his impressive range. The song exudes a timeless, classic quality that feels both poignant and enduring. The song explodes toward the end, giving the record a grand finale.
“Glory” was recorded at Temple Cabin Studios in Naples, NY. Enjoy the record on Spotify now:
Written by Ryan Cassata
Submit a single, here.
Submit an EP or LP, here.
Submithub Coupon. here.
The post Jason Being’s New Record Delivers a Soulful, Timeless Blend of Acoustic, Alternative, and Rock ‘n’ Roll appeared first on ROCK THE PIGEON.