The often-overlooked connection between acting and singing reveals a shared lineage, as both disciplines rely on vocal delivery and narrative expression. While transitioning from singing to acting is viewed as natural, the reverse is often met with skepticism. Joe Keery, known for his role as Steve Harrington on Stranger Things, has developed a distinct musical identity under the name Djo, initially using disguises to ensure his music was judged independently from his acting background. The TikTok-driven success of “End of Beginning” has encouraged him to embrace both identities. His musical journey, which began with Post Animal, showcases significant evolution—Twenty Twenty features hazy psych-rock textures akin to Tame Impala, while his latest album, The Crux, presents a more refined and melodic sound, highlighting his versatility and the increasingly blurred lines between acting and music today.
“Lonesome Is A State Of Mind,” the album’s opener, immediately evokes a mood of introspection. The track, carried by delicate orchestration with lush strings and gentle piano, is rich in its sound; layered harmonies weave through a melancholic melody that lingers in its air. This spacious sound has an echoing quality, as if performed in a vast concert hall, each note holding significance. The subtle strings throughout the track convey profound longing, while soft, hushed vocals enhance its contemplative atmosphere. “Lonesome Is A State Of Mind” is a thoughtful descent into solitude, positioning The Crux as a comforting companion through nostalgia and beauty.
Radiating infectious power pop energy as it delves into the anxieties of a high-achieving student facing the daunting transition to adulthood, “Link’”s driving rhythm creates a sense of urgent anticipation that reflects its inner struggle. Keery’s vocal delivery stands out here, shifting from introspective in its verses to anthemic in its chorus, capturing the emotional weight of the track’s lyrics while emphasising themes of growth and resilience. Upon listening, it feels as if “Link” will become the “anthem” from The Crux, speaking to young people navigating the pressures of an ever-evolving world.
Lead single “Delete Ya” is then an earworm wrapped in 80’s nostalgia, boasting infectious melodies and a shimmering synth-pop sheen. The song’s undeniable catchiness, propelled by a steady, driving rhythm, ironically underscores the protagonist’s inability to break free from a past relationship. Keery’s vocal delivery, a blend of frustrated urgency and subtle vulnerability, adds a poignant layer to the song’s catchy exterior.
“Potion,” the album’s final single, stands tall as an intimate and breezy ballad. Blending influences from Harry Nilsson and Lindsey Buckingham, the track showcases emotive storytelling and melodic sophistication. Keery’s vocals convey warmth and vulnerability in the track, while gentle instrumentation creates effortless intimacy, reminiscent of late-night conversations with a close friend.
The Crux ultimately transcends the novelty of an actor’s foray into music. It stands as a compelling, undeniable testament to Keery’s genuine musical talent, solidifying his position as an artist with a distinct and authentic voice. Keery’s ability to seamlessly blend diverse influences, coupled with his evocative songwriting and nuanced vocal delivery, firmly establishes him as a musician of considerable depth and merit. The Crux is a bold arrival, cementing Djo as a serious and compelling force in the contemporary music landscape, independent of his acting accolades.
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