Nalan is going for a walk. That’s the premise of 59:1 (fiftynine to one), and somehow it’s the most affecting thing on the record. In three minutes and forty-seven seconds Nalan takes you through her streets in Munich, watches the sunset, and admits she’s pretending she’s in New York. It’s a very human thing to do. The early 2000s creep in without much fanfare. A first kiss, right there.
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