Spoken Thought is an artist and producer from Topeka, KS. He was always destined to be a successful musician. He is classically trained under the Suzuki method, starting with piano at age 4. Furthermore, he also played bass violin in Symphonies and Jazz Bands throughout his adolescence, giving him a deeper level of experience that just cannot be faked. Under the Suzuki method, children learn music in a specific, highly supported way, that becomes an extension of their native language. This brings an organic touch to the music composition and performance, which can be heard throughout the record. The talent is pouring out of these songs and arrangements.
“The method led me to being able to have a good ear, as I found could play back songs just listening to them a couple of times.” – Spoken Thought
“My personal favorite out of these is Low Key, as it really feels like a new type of sound. It’s a modern take on the trap sound that really punches through. It might not be super catchy, but the vibe is there.” – Spoken Thought
Spoken Thought has done it again with “Inner Space”, unveiling a darker, more introspective side of his production style. Right from the start, the jazzy horns pull listeners into the atmosphere, their seductive melodies setting the tone for the track. A bright, reverb-heavy piano adds another layer, echoing across the speakers with a shimmering sustain that feels almost ethereal. The way the piano dances playfully from left to right, teasing the horn section, creates a dynamic interplay that keeps listeners hooked, never quite knowing where the music will take them next.
The contrast between the piano’s light, airy quality and the rich, warm depth of the horns is masterful. It’s as though the two are having a conversation, just enough interaction to be engaging, but still allowing each element its own space to breathe. Beneath it all, a tight hip-hop drum groove anchors the track, driving it forward with a steady rhythm that balances out the more experimental soundscapes. A subtle vocal sample is woven into the mix, adding warmth and texture without pulling focus away from the main instrumentation.
This thoughtful layering of sounds, combined with the track’s genre-blurring influences, showcases Spoken Thought’s ability to blend jazz, hip-hop, and lo-fi elements in a way that feels fresh and innovative. “Inner Space” invites listeners into a rich, immersive soundscape that’s equal parts playful and haunting, making it a standout moment on the album.
“I started producing music in 2002 when I was in undergrad and playing professionally in Jazz quintets for a couple of years. I listened to HipHop off and on throughout my childhood but was also really influenced by Jazz and Classical. I moved to Chicago in 2003 to finish my undergrad. By that time, I was heavily listening to producers like Pete Rock, Madlib, and J. Dilla, where I would listen to their beat tapes and their production style quite regularly. I was also heavily getting into sampling music using my computer and MPCs. Because I could actually play many of the instruments myself, I just started sampling myself while learning how to sample.” – Spoken Thought
If you are into the type of keyboards that make you feel like you are at church, you will love “Beautiful.” This song really calls out the choir and makes them want to belt. This song calls for listener participation. The listener and the artist have just joined as one. Spoken Thought is not just a musician, now he is a magician, and his magic trick is bringing out creativity from the listener. This production also proves that study beats aren’t just for focusing and studying, they’re for sparking inspiration and encouraging the listener to create something beautiful of your own. At the same time, they provide an exciting backdrop for a laid-back lifestyle. On “Beautiful”, soulful piano notes float over syncopated drums and horns, with the drum beat subtly pulling the listener in. It’s a track that instantly stands out as a favorite.
Written by Ryan Cassata
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