The critically-acclaimed, multi-platinum band Young the Giant have released ‘ACT IV: Denouement’, the final act of a four-part album entitled American Bollywood. American Bollywood is… Read More »Young The Giant round off American Bollywood album series with ‘ACT IV: Denouement’
LA indie pop quartet and longtime best friends Atta Boy have now released their long-awaited third studio album Crab Park. Hitting the mark with poignant… Read More »Atta Boy deliver long-awaited third album ‘Crab Park’
Brooklyn, New York artist Moon Walker is back with his electrifying new album ‘The Attack Of Mirrors’ which will certainly elevate the musician further. Moon… Read More »Alt rocker Moon Walker shares sensational LP ‘The Attack Of Mirrors’
Guitar twangs and lush synth intertwining build a climactic spell on “Different,” the latest single from London-based artist Venice Heath. The track precedes the artist’s debut EP, Summernight, releasing on Friday (May 19th). Per the artist, the track “follows the overarching nostalgic theme of the EP, and it gives a second chance to the unspoken feelings I carry from my teenage years.” Strutting a peppy fusing of psychedelic and modern indie pop, “Different” embraces illuminated guitars and spritzy analog synths alike. The polished production rides on the steady synth pulsations and looser guitar adornments to start, building faultlessly into the
A recent track from Phoenix-based artist bobrosia, “All Is Undone” proves magnetic with its fluttering, fantasy-like qualities. Breezy piano additions and dreamily immersive plucking complement a caressing vocal underlying, moving with patience and elegance. Past the four-minute mark, the instrumentation builds like a gentle gust of wind, culminating in a finale fully embracing of the soaring, dreamy gentleness. The frolicking classical harp-laden elegance and playful percussive droplets sound fit for green pastures and a sense of adventure; this sounds like it would be an ideal fit on the OST for the newly released The Legend of Zelda: Tears of the
First catching our ears with the creatively eclectic and atmospheric single “Kryptomarch” in December, Berlin-based artist Lump200 again struts a brilliantly unpredictable appeal with “Cex.” Featuring Els Vandeweyer on prepared vibraphone, “Cex” proves enjoyably unsettling with its flashing vocal samples, marimba-like trickling, and buzzing synth effects. Wordless vocal expressions and enveloping, spacey synth resonance casts ample intrigue to start. A thumping percussive escalation and murky textures round the first minute turn, as the trickling keys emerge with a wintry enigma. A gargling ambience kickstarts the final minute, where the creaky percussion and spacey synths converge for a final, stimulating atmospheric