IST IST reveal insurgent new single ‘Stamp You Out’
Delivering a resolute punch with an acerbic sting in its tale, the new single ‘Stamp You Out’ from IST IST sees the band return to… Read More »IST IST reveal insurgent new single ‘Stamp You Out’
Discography
Young The Giant round off American Bollywood album series with ‘ACT IV: Denouement’
The critically-acclaimed, multi-platinum band Young the Giant have released ‘ACT IV: Denouement’, the final act of a four-part album entitled American Bollywood. American Bollywood is… Read More »Young The Giant round off American Bollywood album series with ‘ACT IV: Denouement’
Atta Boy deliver long-awaited third album ‘Crab Park’
LA indie pop quartet and longtime best friends Atta Boy have now released their long-awaited third studio album Crab Park. Hitting the mark with poignant… Read More »Atta Boy deliver long-awaited third album ‘Crab Park’
Alt rocker Moon Walker shares sensational LP ‘The Attack Of Mirrors’
Brooklyn, New York artist Moon Walker is back with his electrifying new album ‘The Attack Of Mirrors’ which will certainly elevate the musician further. Moon… Read More »Alt rocker Moon Walker shares sensational LP ‘The Attack Of Mirrors’
Venice Heath – “Different”
Guitar twangs and lush synth intertwining build a climactic spell on “Different,” the latest single from London-based artist Venice Heath. The track precedes the artist’s debut EP, Summernight, releasing on Friday (May 19th). Per the artist, the track “follows the overarching nostalgic theme of the EP, and it gives a second chance to the unspoken feelings I carry from my teenage years.” Strutting a peppy fusing of psychedelic and modern indie pop, “Different” embraces illuminated guitars and spritzy analog synths alike. The polished production rides on the steady synth pulsations and looser guitar adornments to start, building faultlessly into the
bobrosia – “All Is Undone”
A recent track from Phoenix-based artist bobrosia, “All Is Undone” proves magnetic with its fluttering, fantasy-like qualities. Breezy piano additions and dreamily immersive plucking complement a caressing vocal underlying, moving with patience and elegance. Past the four-minute mark, the instrumentation builds like a gentle gust of wind, culminating in a finale fully embracing of the soaring, dreamy gentleness. The frolicking classical harp-laden elegance and playful percussive droplets sound fit for green pastures and a sense of adventure; this sounds like it would be an ideal fit on the OST for the newly released The Legend of Zelda: Tears of the